Celebrate Our 10th Birthday at SXSW

We know, we know, Buzzgrinder is old. We’re talking Depends old. Being 10 in internet years is like instant incontinence in the real world, after all.

But to celebrate a full decade of ruining music for everyone, we’re hitting SXSW with some friends of ours. So come out to Valhalla on Thursday and drink some free Little Kings while watching badass bands. A few folks might even win a pair of Ramos shoes from Keep while they’re at it! Be sure to invite all your friends. Here’s all the important info:

Buzzgrinder 10th Birthday Bash
Date: Thursday, March 17, 2011
Time: 12pm-6pm
Venue: Valhalla (710 Red River, Austin, TX)

NO RSVP!
FREE SHOW!
FREE BEER!
FREE FUN!

12:00 – The Seedy Seeds
12:45 – We Are Hex
1:30 – Family History
2:15 – Now, Now
3:00 – J Roddy Walston and the Business
3:45 – Colour Revolt
4:30 – Savoir Adore
5:15 – These United States

Morning Buzz: The Stooges, Ron Artest, Isis

:: At least Iggy Pop is honest: “We’re the remains of the fucking Stooges, and before we die, we’re going to do it with you.”

:: Newly minted NBA champion Ron Artest has a new track. It’s no Treat Your Mother Right (Treat Her Rigth), but what is?

:: Straight from the horse’s mouth: “New face to face record is in the can.”

:: Apparently Gaslight Anthem frontman Brian Fallon is a “tattooed Woody Allen.” If the paper of record says it, then you know it’s true.

:: Azure Ray has a new album coming out — the band’s first since 2003. I’d almost forgotten about Azure Ray altogether. Probably because, unlike some peers, they didn’t have someone from Salute Your Shorts in the show. That’s what you get for rejecting Michael Bower. Dude could rap like a steel trap.

:: ISIS! MELVINS! YES!

:: Random tracks that don’t suck:

Nine Bands You Shouldn’t Ignore This Summer

Nine bands you shouldn't ignore this summer

I was recently challenged to create a list of 10 bands you can’t ignore this summer. However, since you can always just ignore them — but you better not ignore them! — and because this will serve as the first of many lists celebrating Buzzgrinder’s upcoming ninth birthday, we’ve brought you nine bands you shouldn’t ignore in the coming months.

And instead of raving about normal Buzzgrinder touchstones (which I could do, since J. Roddy Walston and the Business, These United States, Rodeo Ruby Love and a bunch of others have new albums coming out, not to mention all the folks who are just always awesome), this list will focus on up-and-coming bands we’ve barely talked about, if at all.

See which nine bands you shouldn’t ignore this summer.

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From Wilson Creek to Dear Companion

Ben Sollee and Daniel Martin Moore got together some months ago — with the help of Yim Yames — to record Dear Companion, a project drawing attention to the dire consequences of mountaintop removal mining. In addition to letting us stream the record, which is out Feb. 16 on Sub Pop, Ben and Daniel have been kind enough to take over posting duties for the day.

Hello, friends and neighbors. And thank you Buzzgrinder, for having Ben and I as guest editors today, and for streaming our new record! Here’s a picture of us making it:

Dear Companion

Going from left to right, we’ve got the father-figure himself, Yim Yames (who produced the record and, if I may say, is an all-around excellent role model for anybody who may be looking for one); then Justin Craig (the multi-instrumentalist from the band These United States who lent his extensive talents to play guitar, drums, banjo & electric organ); then the one and only Ben Sollee; and then me.

We were working on the song Wilson Creek here, which is named for the place (and creek) in Floyd County, Ky. When we visited some friends there around this same time last year, they were embroiled in a court battle to have the land declared unsuitable for strip mining. Their argument was that it was too precious and long-standing a home place, too sensitive an environment, and that the damage to the watershed and land and the round-the-clock blasting from the mining would make the surrounding area unlivable and the water unfit to drink.

I’m willing to venture and say they were right, and unfortunately, time will tell. A partial permit was granted, and much of those beautiful mountains will be detonated and much of that beautiful creek will be buried — like the nearly 1,000,000 acres to date already lost to mountaintop removal mining in central Appalachia.

To explain a little further, I’d like to quote a description written by the great Kentucky authors Silas House and Jason Howard for the liner notes of Dear Companion. Silas and Jason recently collaborated on a book called Something’s Rising. It’s filled with the plain-told stories of folks from across central Appalachia who are dealing with MTR day in and day out. Seek it out, please. It’s an important and beautiful work. Here’s their description:

MTR is a radical type of surface mining where an entire mountain is blown up, and often for a relatively thin seam of coal. The resulting “overburden” — topsoil, dirt, rocks, trees (almost never harvested for their timber so that the coal can be extracted as quickly as possible) — is then pushed into “valley fills,” massive earthen dam-like piles, burying the streams, forest and wildlife. Since 1985 more than 1,200 miles of streams have been impacted by this practice. And each year, the explosive equivalent of 58 Hiroshima-sized atomic bombs is detonated in the region.

MTR and its associated pollution hurt Appalachia in every way, poisoning the water, the land, the air and the people. Although supporters claim that it provides jobs, government and industry statistics prove that mining jobs have actually decreased since the advent of MTR, and the largest coal producing counties are among the most poverty-stricken in the nation.

The rate at which mountains are being leveled increases every day. Dissenters are simply asking for mining to be done with respect and responsibility, treating the place and its people with dignity. So far the coal companies have refused to listen to that request. Government officials refuse to require them to do so.

But a small, committed group of people are fighting back against mountaintop removal. They are speaking up in speeches, editorials, songs and books. They are speaking up in the halls of Congress and in little mountain churches. They are speaking up for all of us, because we all live downstream. When something happens to our neighbors, it happens to us.

We encourage you to find out more at ilovemountains.org

I also urge you to visit ilovemountains.org. It’s an amazing resource for finding out how we are connected to MTR — and what steps and actions we can take to help get rid of this practice.

by | 9:00 am

These United States – The Important Thing

I think the thing I love the most about These United States — above and beyond the stellar songwriting and dedication to staying on the road like so many Kurgans — is that those guys don’t take themselves too seriously, which means they have a penchant for having some fun. And this “long-lost homemade music video … circa 1993″ is the perfect proof of their commitment to goofing around and good-timin’ it up.

These United States – I Want You to Keep Everything

Photos: These United States at Skull Alley

These United States

These United States always do it up real good live, but it seems like they keep gettin better as time passes. A little more raucous, a little more calculated (How does that work? I know, right?), a little more grandiose, a lot of fun.

I’ve made the comparison before, but it keeps getting truer as time passes: These dudes are what Kings of Leon should be.

These United States – Everything Touches Everything

I imagine this is a farmer’s worst nightmare. Think about it — sure the corn came to life and starting playing some kick-ass music. But it’s only a matter of time before the corn band gets bored with playing music — especially after too much corn whiskey is consumed — and decides to repay the farmer for raping their corn wives with his combine.

Plus that scarecrow will probably end up scoring a bunch of meth and start talking to the farmer about what he heard on Coast to Coast the night before. But not the good stuff, like reptoids, giants and cryptozoology. He’ll harp on the boring stuff, like chemtrails, nutrition and alternative medicine. Like I said, a farmer’s worst nightmare.

These United States – Everything Touches Everything

The Art Instinct

These United States released a new album today, Everything Touches Everything. And not only did the band allow Buzzgrinder to stream the whole thing today, but the guys were also kind enough to take over posting duties for the day.

The Art InstinctBeen a blast hangin’ out on “da ‘Grinder” with yas today! Thought I’d close the evening out with a reading recommendation, because I know Sean, et. al., inspire the cerebral types out there in the great big vast-hearted-n-blooded modern American populace.

Picked up this book a few months back called The Art Instinct: Beauty, Pleasure, and Human Evolution, by a guy named Denis Dutton. Smart cat, this ‘un. Asks a buncha great questions about WHY we humans beings “do the muse.” What PURPOSE does art and music serve? Not just in the “mental cheesecake” kinda way that Steven Pinker argued — but in the real, true, life-n-death, blood-n-gore, how did we all actually survive and make it to this point in history without being overtaken by hyenas many a millennium ago kinda way.

Riveting stuff. Makes me wanna keep making music. So I’m gonna go do that now. You all take care, be well, stay safe, ride hard, hang dry, love your mother, don’t follow leaders, watch the parking meters, come out and see us in a town near you soon, alright? Alright.

by | 6:00 pm

Internet Revived the Video Star?

These United States released a new album today, Everything Touches Everything. And not only did the band allow Buzzgrinder to stream the whole thing today, but the guys were also kind enough to take over posting duties for the day.

We did a session a couple weeks back in Chicago with our new friends at HearYa.com and Shirk Sound + Music. Had a blast, really and truly top-notch people, and they did quite the job with this live (studio) version of I Want You to Keep Everything

Made me think of this equally fun (though in a very different way) video that a fan sent our way a month or so ago, when IWU2KE (oooooo… new SONG ACRONYM?!?!?!… oh YES?!?!!… ) first came out into the world. Nothing pro, nothing fancy, just someone takin’ one idea and slapping another idea over the top of it to create something new, and personal, and — well, just fun.

These are the things which make me love the internet, video cameras, white boards, studios and, most of all, people.

by | 4:00 pm

One Nation, Under Covers

These United States released a new album today, Everything Touches Everything. And not only did the band allow Buzzgrinder to stream the whole thing today, but the guys were also kind enough to take over posting duties for the day.

I’ve been arguing a lot with a loved one lately about covers. When to do ‘em, when to eschew ‘em, how they fit into the grander scheme of all things musical. This here article in our hometown paper, the Post, made me think about ‘em again today.

The first paragraph’s a pretty good sum-up of the modern-day attitude towards covers. I can certainly see the need for the new (we’ve only recorded a couple covers ourselves, and just for special occasions when asked by others), but I think I’m also gettin’ back into the — well, the back catalog of timeless songwriting (American and otherwise). I’m starting to yearn for other peoples’ melodies, diggin’ into ‘em, really rootin’ around in the basement to see what they’re built of.

I wonder what peoples’ favorite covers are? Who did who else the best? What makes a good cover — or a bad one, for that matter? Who should be covering who next? Do tell, dear readers, do tell…

Ted Leo – Dancing in the Dark (Bruce Springsteen cover)
Yim Yames – Long, Long, Long (Beatles cover)
The Get Up Kids – Alec Eiffel (Pixies cover)

by | 2:00 pm